How Glass Is Made
Until the middle of the 20th century, glass panes were produced by drawing or moulding molten glass, and then polishing out the imperfections. In 1959, the float glass process was introduced, eliminating the need to polish, automizing the flat glass manufacturing and providing an optical quality never seen before.
The float glass process begins with a mixture of raw materials, including about 60% quartz sand, 20% soda and sulphate, and 20% limestone and dolomite. Huge agitators crush and then process these materials into a mixture. A blend comprising of roughly 80% of this mixture and 20% of recycled scrap glass is fed into the furnace and melted at about 1600°C. The result is a chalk-natron-silicate glass. After refining the molten mixture, the molten glass is fed into the conditioning basin and left to cool to approx. 1200°C before flowing over a refractory spout into a liquid tin bath.
Molten glass spreads evenly over the surface of this liquid tin bath, “floating” on top of the liquid tin with its inherent surface tension and density, which is higher than the density of liquid glass. As a result, the molten glass smoothly and evenly moulds itself to the surface shape of the liquid tin. Reducing the temperature in the tin bath from approx. 1000°C to approx. 600°C turns a viscous mass of molten glass into a solid glass sheet that can be lifted right off the surface of the tin bath at the end of the floating process.
The Need for Glass Coatings
The physical definitions of light, energy and heat are described by defined wavelengths of the electromagnetic spectrum. When radiation hits an object, certain wavelengths are reflected, absorbed and transmitted through the object. Guardian Glass applies coatings to float glass in order to manipulate which wavelengths are reflected, absorbed and transmitted to serve functional and aesthetic requirements.
For example, designing glass coatings that reduce solar heat requires controlling the radiation emitted by the sun that strikes the earth. Guardian Glass coatings are designed to reflect the solar radiation (solar heat) while at the same time transmitting a significant amount of the visible light wavelengths (daylight) through the glass.
Applying Coatings to Glass
Float glass coatings are produced in huge quantities, primarily in 2 techniques. One is the chemical pyrolysis process, also called hard coating, which occurs online during glass production on the float line. Metal oxides are permanently baked onto the surface, and are very hard (hard coatings) and resistant, but their properties are very limited due to their simple structure.
Guardian Glass focuses on the second coating process called vacuum deposition process or magnetron-sputtering. Magnetron sputtering deposits metals and metal oxides onto glass perfectly smoothly in a sequence designed to achieve outstanding optical and thermal properties. Glass is sent to into a coater with vacuum chambers each designed to apply a particular material layer to the glass.
The material (the target, which is a metal plate or a tube) that is going to be deposited on the glass surface is mounted on an electrode that has a high electrical potential. Electrode and material are electrically isolated from the wall of the vacuum chamber. The strong electrical field (fast electrons) ionize argon,the sputter gas. The accelerated argon ions are able to break off material from the target by colliding with it, which then comes into contact with the glass, where it is deposited onto the surface evenly.
Architects and consumers are demanding greater thermal insulation of their building envelopes to satisfy economic, ecological and comfort requirements. Guardian is working tirelessly to enhance building performance without sacrificing the natural light people desire. The motivations behind greater thermal insulation are:
Building owners and managers are willing to invest in solutions that will reduce their energy costs. Technological advances of the last three decades have produced systems and equipment that can coat high-tech insulating glass with razor-thin, neutral coatings using low-cost processes. This technology is now applied to millions of square meters of glazed areas of windows and facades.
Consumer and industry awareness for environmental sustainability have grown rapidly within the building industry. Due to its natural ingredients and superior energy-balancing properties, glass is a key element to reduce heating and cooling costs and to achieve the goals of globally recognized certification programs for building sustainable and environmentally friendly buildings.
Better thermal insulation reduces unpleasant drafts from glazing areas, without sacrificing the benefits of daylight that make people feel better and more productive.
To achieve thermal insulation properties, two or more float glass panes are combined with a spacer to form an insulating glass unit (IGU). This reduces the loss of conditioned air-reducing heating expenses in colder months and air conditioning costs in warmer ones.
Until very recently, the majority of IGUs have been produced using aluminium spacers. Increased requirements have created thermo-technically improved alternatives that are gaining ground in insulating glass production. Extremely thin stainless steel profiles possessing considerably reduced heat conductivity as compared with aluminium are the most frequent alternative. They are similar to aluminium, however, in terms of their mechanical stability and diffusion capability.
Insulating glass can increase its thermal insulation performance using three additional techniques:
Sputter coatings designed to increase thermal insulation, such as many Guardian ClimaGuard® and SunGuard® coatings, can be applied to surface #2 or #3 (depending on climate). ClimaGuard IS-20 is a durable coating that can be applied to the inside glass surface to further insulate IGUs.
Gas in the interspace
The resulting hermetically sealed interspace is often filled with especially high thermal insulating inert gas. The width of the pane interspace depends on the inert gas that is used. Argon is used most often, krypton more rarely. To reach its optimum thermal insulation efficiency, argon needs an interspace of 15 - 18 mm; krypton needs only 10 - 12 mm for better insulating results. The interspace is usually filled to 90% capacity. Krypton is many times more expensive than argon since it is more rare.
Especially for projects where sustainability certification is a priority, triple-glazing (using 3 glass lites) enhances thermal insulation performance even further.
Noise Control Glass
Sound is normally transported both through the air and through solid objects. The intensity of the variability in pressure is called sound pressure, and can be extremely variable, from the ticking of a clock to the crack of a gunshot. Three methods are used to control a wide variety of sounds:
The rule of thumb is that generally the thicker the pane is in the unit, the greater the noise reduction. Therefore, insulation efficiency increases as glass thickness rises.
Double or triple insulating glass is a mass-spring-mass system: both outer panes (masses) are separated from each other by the air or gas that fills the interspace (spring). If glass panes of the same thickness are used, the sounds gets transmitted from one to the other pane nearly ideally (resonance). Only asymmetrical insulating glass build up's can improve the sound insulation significantly. The interspace muffles the vibrations from the outer pane before they reach the inner, second pane, with the rule being the bigger the interspace, the more effective the noise reduction. But this is only possible to a limited degree, since this process also reduces thermal insulation.
The noise-reducing effect of thicker, heavier glass may be further optimized by using a flexible interlayer (PVB) to bond two single panes of glass. With this solution, the thickness and space weight remain the same; the pane, however gets “softer” and thus increases its insulating capacity by damping the sound waves.
For centuries, generations have used glass for filling “light holes” in massive outer walls. This has drastically changed in the last three decades. Today glass itself forms and shapes the space and creates room enclosures, thus creating transparent architecture that allows people to feel close to nature. A glass’s finish on a façade always influences its reflective properties, which can range from being produced so that the glass is very reflective, reflects an overall color, or has a weak reflection.
The screen-print which is mainly dedicated for painting partial areas and used for specific design colour which joins firmly with the glass surface and coating in the following tempering process. This technology is adopted for larger quantities and is ideal for parapet glasses components is less suitable for larger areas and homogeneous painting.
Transparent elements can become more and more visual and functional decoration façets. From etching and shot blasting over the ceramic screenprint up to laminated glass with inside foils, the design can be a decorative ornament or symbol or also an all over illustration or matting.
Screen-print directly onto the glass
The one colour screen-print directly onto the glass has a long tradition. The enamel or ceramic paint which is a mixture of small milled glass and joining colour pigments is pressed with a scraper through the open parts of the sieve onto the glass.
Transfer colour print on glass
The transfer print offers an alternative to achieve a multi colour print instead of the single colour screen-print. Also enamel and ceramic colours can be transferred via digital print on transfer foils and can thus reproduce multi colour motives. These printed foils will then be fixed on glasses that are going to be tempered. During the tempering process these transfer foils will burn residue-free and the painted colours will join as previously described.
Coloured foils in laminated glass
Within the same lamination process exists a large pallet of different colour foils , which can be combined of to achieve each imaginable color in laminated glass.
Bent architectural glass
Architects and designers love to interrupt straightness, corners and curves with soft curves. In the applications of the building envelope, glass is generally bent through a thermal gravity process. A glass pane is laid over a bending form and in the bending oven heated up to 550 - 620℃. After having reached the softening point the pane descends (through gravity) slowly into the bending mould and adopts its shape. The following cooling down defines the shape of the glass. Slow cooling, free from residual stress, produces a glass which can be further processed, whereas fast cooling creates a partial or fully tempered glass which is not applicable for further processing.
This is just a beginning
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